Music has always been a part of my life and never sat separately from the rest of how I think. Playing has become something that steadies me differently from other things — the reason I first noticed how quickly a piece of music can move someone from one state to another. That observation is what made me want to know whether the effect could be used deliberately, and it became the question behind my Music Scholar research.
Trinity College London · 2025
Mozart Violin Concerto No. 2 and Prokofiev Violin Sonata No. 2, assessed at the standard of a final-year undergraduate recital. In preparation, I held two solo recitals, performing the programme in full before taking it into the exam.
Trinity College London · 2021
Played Dvořák’s Romantic Pieces and Beethoven’s Spring Sonata.
Ensemble playing rests on collaboration — listening as much as playing, matching another player’s phrasing, and holding a line together across a whole section.
Two national semi-finals (Pro Corda) · Winner, Sevenoaks Chamber Music Festival
Performed repertoire by Ravel, Tchaikovsky and Shostakovich. Alongside competition, we played at school events including Friends of Sevenoaks, and undertook a masterclass with members of the London Bridge Trio.